ASSISTANT EDITing for Scripted Television

Taught by Emily Streetz, the Assistant Editing for Scripted Television class serves to give a solid base understanding of assisting for scripted television series. Beginner to intermediate Assistant Editors will learn the the workflows of editorial including: paperwork, dailies, temp sound and music, basic VFX editing, and more!

9am-4pm PST (one hour lunch break at 12pm)

Saturday October 20th in Burbank, CA

$300 in person, $250 via webinar


PRE PRODUCTION

  • Setting up editorial

    • Hardware requirements

    • Dailies requirements

    • Software Needs

  • Establishing communication with other departments

  • Testing workflows

  • Establish Editor’s Preferences

 

PAPERWORK BREAKDOWN

  • Daily Edit Logs

  • Progress Report

  • Lined Script

  • Facing Pages

  • Call Sheets

  • Continuity

  • Camera Reports

  • Sound Reports

  • Transfer Reports

  • VFX Reports

 

PRODUCTION / EDITORIAL

  • Dailies

    • Checking Edit Logs

    • Double checking Metadata

    • Marking Clips

    • Grouping and bin layouts

    • Manual Scripting

    • Building Notebooks

  • Temp Sound Design

  • Temp Music Editing

  • Tracking & Recording Temp ADR

  • Tracking VFX & VFX Basics

  • Exporting Cuts

 

FINISHING

  • Online

  • Turnovers

  • Reconforms

  • Wrapping

 

NOTE: A system with Media Composer 8.8 or later is preferred but older versions of Avid are fine as well. As long as it hasn’t expired, a trial version of Avid is fine. 8GB of system memory and Windows 7/OS X 10.10 or later are required to run Media Composer 8.8.

Computer rentals are available for as little $60/week from Hi-Tech Computer Rental in Burbank.

Let us know if you have any questions about system compatibility.


THE INSTRUCTOR

Emily Streetz has been working as an assistant editor for 9 years in both scripted television and feature films. She has worked on a wide variety films ranging from hit blockbusters (Bridesmaids) to small independent features (I Am Michael) and an equally wide variety of scripted television from network series (Marvel’s Agent Carter) to premium cable series (True Blood). She got her start working as a post production coordinator for Universal Pictures after completing film school in San Francisco, California and Sydney, Australia. Emily is excited to teach the Assistant Editors’ Bootcamp, having just finished peer mentoring in the American Cinema Editors’ Diversity Mentorship Program and is scheduled to be a Guest Lecturer at UCLA later this year. She is currently working on the hit Netflix series Lost in Space.