PRE PRODUCTION

• Setting up editorial

  • Hardware requirements

  • Dailies requirements

  • Software Needs

• Establishing communication with other departments

• Testing workflows

• Establish Editor’s Preferences

PAPERWORK BREAKDOWN

• Daily Edit Logs

• Progress Report

• Lined Script

• Facing Pages

• Call Sheets

• Continuity

• Camera Reports

• Sound Reports

• Transfer Reports

• VFX Reports

PRODUCTION / EDITORIAL

• Dailies

  • Checking Edit Logs

  • Double checking Metadata

  • Marking Clips

  • Grouping and bin layouts

  • Manual Scripting

  • Building Notebooks

• Temp Sound Design

• Temp Music Editing

• Tracking & Recording Temp ADR

• Tracking VFX & VFX Basics

• Exporting Cuts

FINISHING

• Online

• Turnovers

• Reconforms

• Wrapping

NOTES:

• You must have a laptop or desktop computer for this class with Avid Media Composer 8.8 or later installed. As long as it hasn’t expired, a trial version of Avid is fine. Let us know if you have any questions about system compatibility.

• A basic understanding of the Avid interface is required for this class.

THE INSTRUCTOR

Emily Streetz has been in post production since 2006 after she graduated from film school at San Francisco State University and one particularly ambitious year abroad at the University of Technology in Sydney, Australia. She has since been a PA, a post-production coordinator, an apprentice editor, assistant editor, first assistant editor, VFX editor, music editor, sound editor, and finally, picture editor. She has worked on a wide variety of projects ranging from small independent films (I Am Michael) to large blockbuster hits (Bridesmaids) as well as television shows ranging from network (Marvel’s Agent Carter) to cable (HBO’s True Blood.) She has just finished editing and VFX editing Season 2 of Lost in Space for Netflix.