Avid Effects for the Cutting Room

avid+effects.jpg
avid+effects.jpg

Avid Effects for the Cutting Room

$49.99

Taught by Ryan Westphal, the Avid Effects for the Cutting Room class is a thorough introduction to the effects tools available in Avid Media Composer and will focus on creating temp VFX and titles in an efficient but effective way using the tools that come with Avid. This class is designed with scripted workflows in mind but will also benefit documentary and unscripted work.

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Basics of applying, working with, and managing effects in Avid
- Applying effects beyond clicking and dragging
- Making and managing presets - Layering FX vs direct

Tracking and stabilizing- How many points to use and when
- Other tools that use the tracker- Managing tracking data

Titles- Legacy title tool vs alternatives
- Beyond 1080, working in higher resolution projects- Elevating your titles with extra controls

Precomputes and alphas- Get under the hood and understand how they work
- Importing content with alphas- Creating and importing alphas from outside Avid

3D Warp, your one stop swiss army knife- Reposition, rotate, skew, and more 
- Lesser known uses of 3D warp

Keying- Importance of garbage matting 
- Luma key

Animatte- Simple rotoscoping 
- Tracking shapes 

Organization and management- Nesting your FX
- Using mixdowns
- Naming and organizing
- Brief overview of VFX editorial work

Hands On - Bringing it all together- Adding flash: Muzzles, cameras, sparks and other quick FX
- All the dang screens: replacing screens
- Keying: replacing everything or one window
- Split screens
- A little bit of montage

NOTES:

  • You must have a computer for this class with Avid Media Composer 8.8 or later installed. As long as it hasn’t expired, a trial version of Avid is fine. Let us know if you have any questions about system compatibility.

  • A basic understanding of the Avid interface is recommended for this class.

THE INSTRUCTOR

Ryan Westphal

Ryan Westphal has worked as an assistant editor in scripted TV, features, and documentary for over 10 years.  He has worked on projects such as Greyhound (2020) featuring Tom Hanks, Ryan Hansen Solves Crimes on Television for Youtube Red and many documentary series for companies like PBS and National Geographic.  Throughout all the projects, and no matter the genre, his background in VFX has aided his assisting work. From doing montage to transitions to painting out a camera op. Ryan is currently gearing up to work on a yet to be announced flagship Sci-Fi series for a major streaming platform.