ASSISTANT EDITING FOR SCRIPTED TELEVISiON
Taught by Emily Streetz, the Assistant Editing for Scripted Television class serves to give a solid base understanding of assisting for scripted television series. Beginner to intermediate assistant editors will learn the the workflows of editorial including: paperwork, dailies, temp sound and music, basic VFX editing, and more!
Below is everything you’ll need:
If you don’t own Media Composer please install a trial from the download links below so that you are able to follow along. If you have a newer version of Avid that should work fine as well.
Download the media for the class
(If you have trouble opening the media on a Mac try installing The Unarchiver)
This class covers the following, and much more:
PRE PRODUCTION
Setting up editorial
Hardware requirements
Dailies requirements
Software Needs
Establishing communication with other departments
Testing workflows
Establish Editor’s Preferences
PAPERWORK BREAKDOWN
Daily Edit Logs
Progress Report
Lined Script
Facing Pages
Call Sheets
Continuity
Camera Reports
Sound Reports
Transfer Reports
VFX Reports
PRODUCTION / EDITORIAL
Dailies
Checking Edit Logs
Double checking Metadata
Marking Clips
Grouping and bin layouts
Manual Scripting
Building Notebooks
Temp Sound Design
Temp Music Editing
Tracking & Recording Temp ADR
Tracking VFX & VFX Basics
Exporting Cuts
FINISHING
Online
Turnovers
Reconforms
Wrapping
Let us know if you have any questions by emailing us at assistbootcamp@gmail.com and please sign up for our mailing list below to stay in the loop about upcoming classes!
And if you found this class helpful, feel free to donate below!
The Instructor
Emily Streetz has been in post production since 2006 after she graduated from film school at San Francisco State University and one particularly ambitious year abroad at the University of Technology in Sydney, Australia. She has since been a PA, a post-production coordinator, an apprentice editor, assistant editor, first assistant editor, VFX editor, music editor, sound editor, and finally, picture editor. She has worked on a wide variety of projects ranging from small independent films (I Am Michael) to large blockbuster hits (Bridesmaids) as well as television shows ranging from network (Marvel’s Agent Carter) to cable (HBO’s True Blood.) She has just finished editing and VFX editing Season 2 of Lost in Space for Netflix.